Wednesday, March 28, 2012

Album Review Blog is Now Live

As requested by a couple people, here is a repository (that's the correct word, right? I always get repository and suppository mixed up. Both involve shoving stuff somewhere, I guess) of all my new music reviews in the last couple weeks. Save it on your favorites list. Tell all your friends. Tweet it. Or not; I don't really care either way.

Fortunately, blogspot allows me backdate posts, so I've cut and pasted old emails (typos, outdated opinions, and all) and assigned them the correct dates on the blog. This has probably tripled the number of blog posts I've ever made.

At some point I may go back and actually embed videos into them, but that seems like it might involve work. Actually, that may be perfect work for an outsourced Indian assistant. Or Higgins.

Oh, and Ricci, if I go off the deep end with this whole blog thing, I'm blaming you.

Tuesday, March 27, 2012

New Music Thoughts:

Not as excited about any one band this week, but there are a couple solid album choices (although I'm cheating a bit).

First off, did Sleeper Agent really not take on any of you? That's too bad; I still think they're pretty good. And them being young means sky's the limit. Anyway, my first choice apparently came out in November, but it must have been reissued today on a major label or something, because it was on the list I use for new releases. I hadn't heard it before today, so apologies if this band is old news:

Caveman - Coco Beware

Bucket, if you haven't heard of this band before, you should give them a shot. I seem to remember you being on a Real Estate kick a couple weeks ago, and these guys have a very similar vibe; it's kinda light and airy beach music (they also remind me of Local Natives and early Shins, to place them genre-wise). I'm not 100% sure I won't get forget about this in a couple of weeks (not unlike my reaction to Real Estate), but it's very good at what it does.

Selections
Old Friend

My Time

Sharks - No Gods

This was the album I didn't get a chance to listen to last week. Why I listened to six albums before this one from a young pop-punk band officially endorsed by Mick Jones of the Clash, I have no idea. You've probably heard everything on this album before. I've gone to the sounds like Gaslight Anthem well a lot of late, but I'll do it one more time: though they don't have the Springsteen fascination that Gaslight Anthem has, musically Sharks is very similar. They have clean, middle of the road production with pop-punk-y guitars and singalong choruses. It reminds me of the mid-90's without directly evoking one band. I think this band would have appeared on the soundtrack to Dumb and Dumber, and if that means anything to you, then perhaps you'd like them. And they're Mick Jones-approved.

Selections
Patient Spider (I kinda want this song to get huge and don't see any reason why it can't)

Arcane Effigies

La Sera - Sees the Light

Finally, an act who actually released a new album this week! La Sera is the other stage name for Katy Goodman, who plays bass for a band called Vivian Girls under the stage name Kickball Katy (yes, Brooklyn is ridiculous). I myself have never listened to the band Vivian Girls before (and they sound kinda awful in a Pitchfork-approved way), but I decided to give this album a listen, and I'm really glad I did. I wasn't expecting a bassist from a flash-in-the-pan lo-fi Brooklyn band to have a great voice, but Katy really does. I have had a hard time placing it: maybe Neko Case when she's not playing country? Chrissy Hynde when she's not sneering? Whatever, it's good, the songs are well-written, and the instrumentation is bright and clean. The best track is "Drive On," where she does a Stevie Nicks impression over driving guitars with tones straight out of John Cougar's "Rain on the Scarecrow," but I like the whole album.

Selections
Real Boy / Drive On (unfortunately the only youtube video I could find combined both these songs, but to me Drive On is the real draw here)

Break My Heart

Miike Snow - Happy to You

Lykke Li cameos on this album, so this is the leader for Swedishest album of the year. Miike Snow is a trio consisting of a pair of Swedish songwriters who have written a shit-ton of pop hits, most notably Britney Spears's "Toxic", and Andrew Wyatt, who has done a lot of work with Mark Ronson. On paper, this should be awesome, and for stretches it definitely is, but the album as a whole is a little uneven. It feels a little too indie rock-y, when everyone knows Swedes should just focus on dance rock. Also, there are a couple tracks that seem like they are aiming for but just fall short of funky. I suppose 'tis better to have funked and lost than never funked at all, but it's a little bit of a bummer. Oh, and sequencing is a little strange too: the lead single and best song is the last track. But make no mistake: the good songs are really, really good dance rock. I hope "Paddling Out" gets played everywhere; it definitely will be played out of my car speakers.

Selections
Paddling Out

The Wave (no, I have no idea what's going on in the video)

Alright, that's it for this week. Madonna released an album this week too. I didn't listen to it, but it sucked.

Tuesday, March 20, 2012

Because us senior citizens needs to keep our minds active to ward off the impending darkness, here are my opinions of the new albums this week:

But first, a cheat. My favorite new album of the week has been out for several months, but I only just discovered the band on this week's 120 Minutes. So apologies if all you cool kids have been listening to it for so long it is now passe. "I like their older stuff," you'll say. Too damn bad. I try to stay current, but it's tough, and this band is too good to not share.

Sleeper Agent - Celebrasion

Everyone give at least the track "Get Burned" a chance. Just trust me: it's fun, bouncy, and catchy in a way that reminds me of the first time I heard the Strokes' "Last Nite" (this is not a comparison between the two songs so much as a comparison to my reaction to the two songs). This band from Bowling Green, KY is really young (their youngest member dropped out of high school to go on tour with the band), and this debut album is raucous, infectious, and fun, alternatively making the band sound like the Strokes, the Pixies, and the White Stripes (one of their singers does a pretty good Jack White impression). Personally, I think just about every track off of this is worth listening to, but "Get Burned" works as a good litmus test. This is up there for one of my favorite spotify discoveries: I will be playing this loudly this summer.

Selections:
Get Burned

Shuga Cane

That's My Baby

Tanlines - Mixed Emotions

This is a nice debut by an electropop band that has drawn some comparisons to Gotye. I'm not sure how valid the comparisons are: Tanlines and Gotye have undoubtedly listened to the same Peter Gabriel records, but Tanlines hasn't come up with a song near as strong as "Somebody I Used to Know," which could prove problematic, as you need that one really great song to attract the diehard fans who will then convince themselves that other inferior songs on the album are better than the one big hit, because they're "theirs." But it is undoubtedly unfair to hold not having a song as good as what has arguably been the song of the past year against Tanlines, and this album has some good catchy moments: several of the songs remind me of Temper Trap, and I like Temper Trap just fine. It's a good not great album from a band who is worth keeping an eye on.

Selections
All of Me

Green Grass (Peter Gabriel better have gotten some f'in royalties for this one)

Not the Same

The Shins - Port of Morrow
I'm not sure I need to say much about this Shins album: if you like James Mercer, you'll like this album, and if you don't, this won't change your mind. Myself, I find Mercer pretty remarkably consistent; I'm not sure there's a skippable track on any of the albums he's recorded, but since Garden State, I don't think he's ever really surprised me either. I'd say this album sounds a little more like the 2007 album Wincing the Night Away than the earlier two albums, but I'm not sure it's really that big of a distinction. I don't know where this ranks in their oeuvre, but it's plenty enjoyable.

Selections
Simple Song

September

Daniel Rossen - Silent Hour/Golden Mile
This is actually an EP from one of the dudes in Grizzly Bear, a band that has never really connected with me. The tracks on this album (which started off as potential songs for Grizzly Bear's forthcoming album) may make me reevaluate the band. This EP is nothing I'm gonna crank on the radio or nothing, but it's pretty AM Gold music that makes me occasionally think of Crosby, Stills, and Nash, as well as George Harrison.

Selections
Silent Song

Return to Form

Lee Ranaldo - Between the Times and the Tides

Anyone here like Sonic Youth? ... ... ... No? I'd probably be a little surprised if anyone did. Anyway, this is their guitarist, and he released a solo album today. The nice thing about this album is it is similar in bad-assitude to a Sonic Youth album, but without the arty weirdness. In some ways, it may actually be a better entry point into the now-defunct band than any of their actual albums. It's a pretty decent grown-up rock album.

Selections
Off the Wall (sadly not a Michael Jackson cover)


Alright, that's it for the new stuff I listened to today. Definitely give Sleeper Agent a spin; it's worth it.

Tuesday, March 13, 2012

New Music Roundup

Ah, the joys of discovery. Today was a pretty darn enjoyable day for new music. As I had said before, the debut album from British band Tribes wins the award for release of the week.

Tribes - Baby
Do you like Radiohead's album The Bends? Of course you do - everyone on this email list does - but you might not know it yet on account of Radiohead's later albums turning them into the Radiohead everyone knows now, with their annoying fans and their bleep and bloop-filled music almost being intentionally esoteric. So I suppose the better question is "Are you aware that you like Radiohead's album The Bends?" Because if you are, just trust me and check out this album out.

When I first read about this album, it was described as heavily indebted to early 90's alternative rock, particularly the Pixies. Because of this, I pretty much expected it to sound like Yuck's album from last year, but this album surprised me. If I could use an analogy, Yuck's album is to 80's/90's American college rock what this album is to early 90's Brit-pop (hence the question about the Bends). For those of you uninitiated to this particular genre (might a primer be in order?), it's still guitar-driven, but a little cleaner sounding, a little brighter, and a little more psychedelic than 80's college rock, with occasional lifting, catch-y, singalong-able choruses. It is awesome. This album follows suit (perhaps too much suit, but the question of just how closely "spot the reference" indie bands should emulate their influences is a wider question than one I am going to discuss in this email).

Selections
We Were Children - This song probably got them the Pixies-wannabe tag, as it certainly is reminiscent of "Where is my Mind?" Lyrically this song essentially says "I'm a child of the 90's."
When My Day Comes - There are radio stations from 1996 that would have played this song a shit-ton.
Corner of an English Field

The Ting Tings - Sounds from Nowheresville
This is the kinda big, loud, dumb fun I was hoping from some of the bands last week (and from Sleigh Bells a couple weeks ago). The female lead singer appears to be attempting to channel Gwen Stefani during the early No Doubt years a bit. It's not perfect: for the band to truly be catchy, they need a little work on their choruses, which too often consist only of repeating the title of the song over and over again. This is another group that would be all over alternative rock radio, if that was still a thing. Oh well: maybe they can be on an Apple commercial or something.

Selections
Hang It Up
Give It Back - Would have worked great as the background music of a Sarah Walker fight scene.
Day to Day - I could maybe see this even making the rotation of a Kiss FM station (those still exist, right?)

Delta Spirit - Delta Spirit
Never heard of these guys before today. I've had some difficulty articulating exactly how they and the next band on this list sound, but hey, that's why I don't do this for a living. This band apparently started as a folk band, but you'd be hard-pressed to tell it here: this is much more driving, anthemic "modern" rock. The songs kinda run together, but at the very least, the song California will be in my play rotation for quite a while. Oh, and apparently the band recorded this in an abandoned New York church, which doesn't really have anything to do with anything, but there you go. It's definitely worth a listen.

Selections
California
Money Saves

The Lonely Forest - Arrows
This band's name sucks and will likely cause me to eternally confuse them with The Lonely Island. They have the same to-the-rafters sensibilities that Delta Spirit had, but their tempo is a little slower than Delta Spirit's. I can see a comparison to some of Coldplay's early stuff, maybe even something like Editors. If there is ever an official video for the song I Don't Want to Live There, I hope it features a lot of people very slowly turning their heads and looking up.

Selections
I Don't Want to Live There
Turn Off This Song and Go Outside - Despite the title, this song has never (as far as I am aware) appeared on an episode of Sesame Street.

Lucero - Women & Work
Lucero is a cowpunk band that has been around forever (they're also something of a BR favorite). I don't think this album is their best, particularly because the lead singer's voice, which is gravelly as all hell on some of the earlier albums, sounds a little too clean on this one. This album may actually be a good gateway into them though. They're at their best on this album when they're playing honky tonk with Stax Records-style horn flourishes, which, now that I think about it, is almost certainly going to be enjoyable in my book. At the very least, they would be a great band to see in a bar.

Selections
On My Way Downtown
Women & Work

Finally, in the interest of completionism, Meat Loaf also released an album today. Unfortunately, Jim Steinman is not present, and Meat Loaf isn't Meat Loaf without Jim Steinman. I love Meat Loaf, but he really only works when he's so goddamn over-the-top cheesy, and this album, which I didn't hate, is unable to reach those cheesy heights (again, likely because of evil genius Jim Steinman's absence). I'm also a little bummed that Meat Loaf didn't take the opportunity to perform any duets with this new generation of vh1 female singers like Adele or Florence from Florence and the Machine, because that would have been pretty awesome (there are cameos from Lil John and Chuck D though (yes, really)). Anyway, unfortunately I can't recommend the album, but reasonable minds can disagree.

I also can't link any songs, because I was unable to find any album versions on youtube. I can't do all the work for you people. Also, I'm pretty sure at least a half-dozen of you say you are unable to click the youtube links anyway. So it's not laziness; it's listening to audience feedback.

Wednesday, March 7, 2012

More new music:

The new albums this week tended to disappoint me, which is too bad, as there were about four or five that I thought had promise before they were released. And it's not like this is just a case of me being in a bad mood and it coloring my opinions of these albums: it was in the 50s and sunny yesterday, I had the top down on my car and was smoking a cigar, and still, the music playing out of the speakers failed to grab me.

The least disappointing of the new albums was probably Bruce Springsteen's. I'm not even sure I need to say much about it: people will like this album, and people who don't like Bruce Springsteen probably should listen to some different stuff by him, but if they listen to that different stuff and still don't care for him, this album certainly won't change their minds. I guess this album is folksier, slightly more stripped-down Bruce - there's not much sax in it (RIP Big Man) and little to no E Street Shuffling - but it more or less sounds like what I expected it to sound like, which is fine. I could go off on a tangent and veer into pretentious with a capital P territory by discussing at great length my thoughts on albums like this one that were made in the back half of an artist's career and what they really mean in the grand scheme of things and like, the human condition, but I think I'll pass. I'll just say I liked the album, but not as much as Magic from a couple years ago, which to me represents the high water mark of Springsteen's career in the new millennium.

Other than that, it's slim pickings this week. I had hope for White Rabbits, who had a great song on their previous album called Percussion Gun, but they apparently took to heart the criticism that their earlier work sounded too much like Spoon (how is this a bad thing?) and cut down on the hooks and the catchiness on the new album. Unfortunate.

Has anyone on hear ever listened to the Magnetic Fields? They released a new album yesterday as well. It's not terrible, but it's probably a pretty bad entryway into the band: you should probably start with 69 Love Songs, the literally-named triple album from 1999. The new album has some catchy synth-y pop songs, but the whole thing is a little too silly, and actually listening to the lyrics will only decrease your appreciation for it.

Andrew Bird released another album too. It sounds like an Andrew Bird album, which to me means innocuous, but nondescript bordering on boring. Maybe it will grow on me, but all the songs blended together on first listen.

The Kaiser Chiefs are unfortunately attempting for something approaching artistic legitimacy, releasing an album full of gloomy songs, when all I want from them is big dumb singalong songs. The song Little Shocks isn't terrible, I guess.

Oh, Anais Mitchell is a pretty decent singer-songwriter who released a new album last week. Her voice kinda sounds like Lucinda Williams', and she does singer-songwriter-y things. Top to bottom her new album Young Man in America is pretty good, albeit pretty laid back, kinda like something Regina Spektor might do. It's not an all-moods type album, but I'd listen to it on a Sunday morning.

All in all, there was a whole lot of B- music released this week, and not one single that I could point to and say I really like. Oh well: everything can't be a winner. That'd be communism.