Showing posts with label Miike Snow. Show all posts
Showing posts with label Miike Snow. Show all posts

Tuesday, December 18, 2012


The Best of the Rest
or
88 Lines about 44 Songs

Part Two

33) Dirty Projectors - Offspring are Blank
This is kinda a weird song (although not really by Dirty Projectors standards).  But even weird songs can kick ass.

32) El P - Oh Hail No
El P is a very good producer and a competent enough rapper.  The reason this song is ranked where it is though is because at the 1:40 mark, Mr. Muthafuckin eXquire gives my favorite rap verse of the year.

31) Kelly Hogan - We Can't Have Nice Things
Is it enough to say I find her voice pretty?  Because that's all the analysis you're going to get.

Tuesday, March 27, 2012

New Music Thoughts:

Not as excited about any one band this week, but there are a couple solid album choices (although I'm cheating a bit).

First off, did Sleeper Agent really not take on any of you? That's too bad; I still think they're pretty good. And them being young means sky's the limit. Anyway, my first choice apparently came out in November, but it must have been reissued today on a major label or something, because it was on the list I use for new releases. I hadn't heard it before today, so apologies if this band is old news:

Caveman - Coco Beware

Bucket, if you haven't heard of this band before, you should give them a shot. I seem to remember you being on a Real Estate kick a couple weeks ago, and these guys have a very similar vibe; it's kinda light and airy beach music (they also remind me of Local Natives and early Shins, to place them genre-wise). I'm not 100% sure I won't get forget about this in a couple of weeks (not unlike my reaction to Real Estate), but it's very good at what it does.

Selections
Old Friend

My Time

Sharks - No Gods

This was the album I didn't get a chance to listen to last week. Why I listened to six albums before this one from a young pop-punk band officially endorsed by Mick Jones of the Clash, I have no idea. You've probably heard everything on this album before. I've gone to the sounds like Gaslight Anthem well a lot of late, but I'll do it one more time: though they don't have the Springsteen fascination that Gaslight Anthem has, musically Sharks is very similar. They have clean, middle of the road production with pop-punk-y guitars and singalong choruses. It reminds me of the mid-90's without directly evoking one band. I think this band would have appeared on the soundtrack to Dumb and Dumber, and if that means anything to you, then perhaps you'd like them. And they're Mick Jones-approved.

Selections
Patient Spider (I kinda want this song to get huge and don't see any reason why it can't)

Arcane Effigies

La Sera - Sees the Light

Finally, an act who actually released a new album this week! La Sera is the other stage name for Katy Goodman, who plays bass for a band called Vivian Girls under the stage name Kickball Katy (yes, Brooklyn is ridiculous). I myself have never listened to the band Vivian Girls before (and they sound kinda awful in a Pitchfork-approved way), but I decided to give this album a listen, and I'm really glad I did. I wasn't expecting a bassist from a flash-in-the-pan lo-fi Brooklyn band to have a great voice, but Katy really does. I have had a hard time placing it: maybe Neko Case when she's not playing country? Chrissy Hynde when she's not sneering? Whatever, it's good, the songs are well-written, and the instrumentation is bright and clean. The best track is "Drive On," where she does a Stevie Nicks impression over driving guitars with tones straight out of John Cougar's "Rain on the Scarecrow," but I like the whole album.

Selections
Real Boy / Drive On (unfortunately the only youtube video I could find combined both these songs, but to me Drive On is the real draw here)

Break My Heart

Miike Snow - Happy to You

Lykke Li cameos on this album, so this is the leader for Swedishest album of the year. Miike Snow is a trio consisting of a pair of Swedish songwriters who have written a shit-ton of pop hits, most notably Britney Spears's "Toxic", and Andrew Wyatt, who has done a lot of work with Mark Ronson. On paper, this should be awesome, and for stretches it definitely is, but the album as a whole is a little uneven. It feels a little too indie rock-y, when everyone knows Swedes should just focus on dance rock. Also, there are a couple tracks that seem like they are aiming for but just fall short of funky. I suppose 'tis better to have funked and lost than never funked at all, but it's a little bit of a bummer. Oh, and sequencing is a little strange too: the lead single and best song is the last track. But make no mistake: the good songs are really, really good dance rock. I hope "Paddling Out" gets played everywhere; it definitely will be played out of my car speakers.

Selections
Paddling Out

The Wave (no, I have no idea what's going on in the video)

Alright, that's it for this week. Madonna released an album this week too. I didn't listen to it, but it sucked.